Saturday, April 16, 2011
Catclaw associate Sherry Deatrick has a new play, The Wettest Beak, currently running at the Rudyard Kipling on Oak Street in Louisville, as part of the Finnigan Festival. The play is the third installment (and we hear there will be a fourth!) in her series that began with Beak Wet, Everybody! and followed by Beak Wetter.
As per our own Voraxical values, Deatrick's idiosyncratic style puts texture ahead of content and character development over story arc. To attempt description of the dadaistic goings-on would do the works an injustice; suffice it to say there's a mutant half-human-half-chicken and a swingin' UPS man who rock the boat for a family of eBay-obsessed apocalypse-minded hillbillies. Our pal George Bailey, who worked with us on A Day in the Life of Eddie Jester, Toulouse-inations and Patrick Amsterdam, did an outstanding job here, both as director and as actor, reprising his role as "Teensy".
The actors rarely stand still in a Deatrick play, tending to leap, swish, and gyrate endlessly like Charles Ludlam characters would be if they were spazzed out on crystal meth in a trailer in Floyd's Knobs. That being the case, almost all the photographs taken ended up in blur-o-vision. (But the actual play was blurry too.)
Thursday, April 7, 2011
Friday, April 1, 2011
This half hour snippet of Grand Guignol grisly silliness comes from something called the Tragedies Theatre, and it's called Chop Chop. It seems to take place in Victorian times, and though several delightfully hammy thespians are here chewing up the scenery, the real star of the play is a gullotine.
View: The Tragedies Theatre du Grand Guignol - Chop Chop (YouTube)